HE AIN'T LUCKY, HE'S JUST THAT GOOD:
KEVIN WELSH HITS #13 WITH NRG CRISIS
 
By Mike Fish
 
 



NRG Crisis

The eyes of both Hurricanes Frances and Jeanne made landfall around the same area, Port St. Lucie Inlet, on Florida's Atlantic coast in the Fall of 2004. To tap into some of that energy, Kevin Welsh thought it was only fitting to anchor his sailboat there during the following Spring, while editing footage for his newest release, NRG Crisis.
 
NRG Crisis is Welsh's 13th surf video release in fourteen years. And it would've been the 14th--if it weren't for the dual hurricanes that hit his home of Brevard County, FL, last fall. A Surfer Magazine senior staff photographer for more than 15 years, Welsh is considered the "Godfather of East Coast Surf Videos" for his Right Coast-centered SurfNRG Series. The series chronicles over a decade of East Coast waveriding history, pride and heritage--and it opened up the door for many others to follow in his footsteps.
 
Seeing all that, we felt that rather than us try to tell the story of NRG Crisis--as is usually the protocol for films featured in ESM's Cinematheque Department--we'd let Kevin tell it himself. What follows is a special Q&A with the Godfather himself about making "Lucky 13," the future of the SurfNRG series and his heaviest East Coast session yet.
 
ESM: You had an interesting editing session for NRG Crisis. Tell us about that.
KW: I thought it would be cool to sail down to the Port St. Lucie area and edit the hurricane segment there--you know, kind of drawing off the ambiance. It was definitely inspirational to be anchored and editing in a place so relevant to the film. I felt like I had more energy to put it together.
 

Photo: Fish

ESM: Talk about your mission for the SurfNRG Series.
KW: Most of my videos are about documenting special moments in East Coast surfing. It's a lot more than just driving down to the Inlet, setting up the camera and then later saying, "Cool, I got a few more action clips for my next video." I try to make sure there's some classic moments in each one.
 
ESM: Where did you find the inspiration to make your first movie?
NRG: There were a couple of East Coast guys making movies back in the '80s, including Paul Pruitt and the Poling Brothers. Soonafter, I coordinated a shoot for Surfer Video Magazine during the Natural Art Pro in Barbados. The show aired on ESPN. After watching those guys plan the shoots, do the interviews, cover all the angles and see the final product--I knew that I wanted to make my own surf movies. Timing worked out so that I had just purchased my first Canon L1 Hi-8 video camera when the Halloween swell of '91 came along, which was part of my first movie. The rest is history.
 
ESM: What sets NRG Crisis apart from your other flicks?
KW: Lucky #13. The session with Kech, CJ and Baron in South Florida was pretty heavy for the Sunshine State. I've been a surf photographer since the '70s and I've honestly never seen a day that thick and gnarly on the East Coast. The Halloween swell was big, but it still didn't compare. All the boys agreed that it was the heaviest waves they've ever seen here on the East Coast.
 
ESM: What else is in the film?
KW: We headed up to New York and New Jersey in the RV during the months of September and October last year. All the contests going on there scored great surf, so that's documented. The list goes on: Hurricane Season 2004, tow-ats with Adam Wickwire, Matt Kechele and Clay Marzo, not to mention North Shore action with Slater and a slew of other international riders like Tom Curren, Randall Paulson and Jamie O'Brien... But I still think the highlight of NRG Crisis is that all-time swell in Palm Beach with Kech, CJ, Baron and the boys.
 
ESM: What direction do you see your moviemaking heading?
NRG: It all depends. What direction is East Coast surfing heading? Who's going to be the next in line for the WCT? Where's the next area that's going to score incredible waves from a hectic Hurricane Season? That will dictate my direction. I just want to continue being a part of it. I love the adventure.
 
ESM: Your next release is already in the works, isn't it?
NRG: Let's just say we're quite 'en-Gulf-ed' with some pretty sick hurricane footage from the other side of Florida. I drove over three times to score Katrina, Rita and Wilma. And all three times, we went to the Panhandle where most of the energy was. The surfers I took were surprised by the quality of waves over there. There are some amazing setups on the Gulf--it's just not consistent. Where else in Florida can you find a perfect lefthand pointbreak that's protected from the winds? The only drawbacks were the crowds, red tide and all the driving.

ESM:
Who is a filmmaker that you find particularly inspirational?
NRG: Jack McCoy is one of the greatest ever. He digs inside of the person he's filming and captures truly unique angles. He utilizes humor, as well, which is always entertaining. The inspirational award goes to Jack.
 

Photo: Welsh/ SURFNRG

ESM: What is your most valuable piece of equipment?
NRG: That's tough, there's so much from cameras to lenses to computers (I highly prefer Macs), not to mention transportation in the NRG RV. But I can say that my double-trouble bracket--that I've been using since the day I started shooting video--has been a real asset to me. It enables me to shoot both stills and video simultaneously. It's a very effective piece of equipment and it seems like everyone is shooting with this tool nowadays. Not too long ago, I was the only one using what photographer Sean Davey labeled "The Greedy Plate." Too bad I couldn't have put a patent on it.
 
ESM: Give us some behind-the-scenes dirt on NRG Crisis.
NRG: Boy, where to start? Here's one: I was shooting all morning at the Unsound Pro in Long Beach, NY. I headed back to the NRG RV to make myself some lunch. Eric Taylor, Sterling Spencer and Adam Wickwire were inside watching a movie in between their heats. So I kicked back on the couch and fell asleep. Then, all of a sudden, I'm rudely awakened by someone slapping two pieces of ham on each side of my cheeks. The room fills with laughter. The culprit was Wickwire. I immediately chased him down the hall into the back bedroom, where Dylan was just chillin' with his iPod. Dylan was very startled to see me jump on top of Wicky with the look of the devil in my eyes and shake him like a rag doll. I could have pleaded temporary insanity, right? Anyway, I call Adam the poster child for birth control and the sole reason why I won't have any kids. But I'm only kidding. In all seriousness, he's a cool kid who just likes to have fun. He's a lot like me when I was young.
 
ESM: That makes a nice segue: who are your favorite surfers to work with?
NRG: Of course, Kelly's a major bonus whenever he's in town or when we get to travel, but that doesn't happen nearly enough. The Hobgoods are also a lot of fun and are usually very productive. Peter Mendia is awesome, as well--and after all these years pushing him as the gnarly underground guy from Florida, he's finally been getting some great coverage in the media over the past couple of years. Baron Knowlton is another one of my favorite surfers to shoot and travel with. Also, younger guys like Dylan Graves. Oh, and definitely Wickwire.
 
ESM: What's your ideal trip?
KW: Anywhere that has warm, uncrowded, perfect surf. The Caribbean is my garden. But it's gotten so crowded lately. That means I need to get a bigger boat to explore new spots that are more out of the way.
 
ESM: What do you think is an important trait that has allowed you to become the "Godfather of East Coast Surf Videos"?
KW: I'd probably just say consistency. There's so much work that goes into producing a surf video. It takes a lot of determination to make it happen. Luckily, I don't require a lot of sleep. I like creating opportunities instead of waiting for them to happen.

Interview
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