|
READY
FOR "TEQOPH"
RUSTY
SHAPER BILL JOHNSON LAUNCHES HIS OWN LABEL
By Matt Walker/ Surfing Magazine About
30 miles east of Oceanside, CA, sits Temecula. A modern
town with an Old West theme, it's known for a variety
of oddball attractions: hot air balloons, Tombstone-like
storefronts, a number of surprisingly fine wineries.
And as the home of former Rusty shaper Bill Johnson,
it might soon become synonymous with something even
stranger: surfboards.
Johnson's
story actually begins about 3000 miles and 20 years
away in Cocoa Beach, FL, where he grew up a top East
Coast talent--three consecutive ESA Easterns titles,
winning the 1984 U.S. Team Trials ahead of Brad Gerlach
and Mike Parsons, and culminating with a U.S. Men's
title in 1986. Training under Tom Neilson in 1991, he
became Quiet Flight's key man, making boards for Sunshine
State standouts CT Taylor and Cam Anderson before starting
a separate brand in 1993. With Bryan Hewitson as a flagship
rider, Extreme Surfboards boomed so quickly he taught
his brother Joe Johnson the trade and brought him aboard.
But when Bill moved to Southern California with his
wife and first daughter in 1996, orders started to lag.
Within a year, he'd landed a job with Rusty and soon
became a team favorite for the major manufacturer, especially
among the East Coast ranks. "Damien called me immediately
to shape him some boards," says Bill. "He loved 'em,
so of course CJ had to have some."
That
was seven years ago. Today, Damien rides for Quiet Flight,
splitting his quiver between Bill and Joe, while constantly
testing other designs as is customary for most surfers
on tour. Conversely, CJ's ridden Bill's boards exclusively
since his qualifying year. But even more unique than
the 2001 World Champ's devotion is their relationship
itself. In an age when even the biggest designers rely
on machines for pre-shapes, Bill still makes every one
of CJ's 40 boards a year by hand, start-to-finish. And
unlike most other big-name pro/ shaper combos, the two
had never set foot in the shaping room together until
September of this year to do an article for Surfing
Magazine.
"Basically,
I call him to say they're ready," says Bill of how much
time they spend talking shop. "He calls me later and
says whether he likes them. Usually he does. I've got
his designs pretty dialed by now."
The
result? Teqoph Surfboards. Pronounced "takeoff," it
actually means "strength" in the ancient (pre-Arabic)
Aramaic language. As of 2005, the logo can be seen on
all of CJ Hobgood's boards and--if Bill has his way--at
WCT venues ridden by the same Top-44 fixtures who sport
JS tractors at the Superbank and Mayhems at Lowers.
ESM spoke to Johnson from his Temecula home about
what lies ahead on this bold new frontier.
ESM:
From Hewy to the Hobgoods, you've been able to shape
for some talented surfers from the start. Did that help
you hone your skills so fast?
BJ:
Shaping my own boards was probably the biggest thing
when I started. I wouldn't say that now, at least not
as much, but in the beginning you're flying by the seat
of your pants, just trying to put some good curves together
that feel right. Over the years you finally start clueing
in to the different things that are going on. That's
when working with the best surfers helps. And guys like
CJ and Damien have been really good for improving my
skill. Now there're guys like Hedgey and Dingo (Morrison).
ESM:
Were you finding the more success CJ and Dam had, the
more people were trying to get your boards?
BJ:
Absolutely. I built some boards for Andy Irons'
girlfriend once and he ended up really liking them and
wanted more. At the time I was so busy taking care of
the Rusty team I never even got back to him.
ESM:
The way we heard it, you were also worried about helping
CJ's main rival.
BJ:
Well, Andy wasn't quite the factor then that he is now,
but that was one of the reasons. In the past, I haven't
pursued shaping the top competitors' boards because
I was pretty happy just doing the Hobgoods'. But now
when Danny Wills and some of the other guys call, it's
such a good opportunity, it's hard to pass up.
ESM:
Plus you get more feedback, which transfers into better
designs for the twins.
BJ:
Well, you don't really get a whole lot of feedback from
those guys. I did a board for Taj Burrow recently and
he's like, "Works great." That's it. Basically, if they're
riding them, they're loving them--like Dingo said my
board was his favorite one in his quiver at the time.
At that point, I know what I'm doing so I just transfer
it over into production. Of course, now that they're
in Hawaii they've got different quivers. I'll probably
get more orders into next year when they start the tour
again.
ESM:
Was part of the reason you left Rusty to facilitate
your ability to shape for more of the big guys?
BJ:
I left Rusty because with CJ leaving and me having done
his boards for so many years, I saw it as a brilliant
opportunity to start something on my own. And what's
cool is I can create anything I want, call my boards
anything I want, sell to whoever I want. I feel like
I can be more creative. But I've said it before and
I'll say it again: I really appreciate Rusty and all
the other shapers at Rusty. All those guys are just
fantastic to work with and I learned a lot from them.
BJ:
At first it was a little scary. But after a few phone
calls to some of my friends in the industry I got encouraged
pretty quick. Sunrise Surf Shop was my main dealer when
I had Extreme and those guys ordered 20 surfboards immediately,
so it looks like I can pick up right where I left off.
I mean, I got close to 60 orders with the first four
shops I called. I had to stop calling so I could finish
getting organized [laughs].
ESM:
What about California? That's a tough market to penetrate.
BJ:
Well, a good friend of mine is the buyer for Surf
Ride, so I've already talked to him. And a guy in Santa
Barbara is buying boards so we'll be competing with
the Merricks up there. I don't think there will be any
problems whatsoever.
ESM:
You were in Japan when CJ won. How cool was it to
come up with the Fishy design, then watch him win on
it so soon after?
BJ:
It was just incredible, for sure. He was looking the
best out of all those guys. The way he was flying over
the waves and being able to do full turns and all the
tricks was pretty amazing. His board... yeah, his board
looked pretty good [laughs].
ESM:
And was that the first one you shaped for him?
BJ:
Well, it was the same design. The first one he took
to South Africa and I think he got second in a 6-star.
And then he did Camp Hobgood down in Nicaragua and demolished
that board, so we did him another, which he took to
Japan.
ESM:
What's CJ got over in Hawaii right now?
BJ:
We did a 7'6", 7'4", 7'2", 7'0", 6'10", 6'8", 6'6",
6'2" and a 6'1" for the really small days at Ehukai.
He doesn't really ride anything over 7'6". I made him
a 7'10" a couple years ago and I think I got more use
out of it than he did.
ESM:
How long does it take to do an order like that, a week?
BJ:
Yeah, I really take my time. I get out all my notes.
The guns are something you don't do a whole lot of and
they're pretty critical. What's nice is I can base a
lot of info off other boards, even magic boards that
I made for Damien, and give CJ the same dimensions because
they surf a lot alike. They're the same height, same
weight, they're both goofyfoots, and so on. But a couple
of CJ's designs are totally different than Damien's.
Like the CJ Fishy, Dam doesn't dig as much. And Dam's
boards are a little thicker. But for the most part,
they're the same design. A lot of it is just fine-tuning.
For me, that's what takes the longest.
ESM:
A lot of shapers have embraced CAD to do all their pre-shapes.
Is there a reason why you're still mowing 'em out with
a planer?
BJ:
I'm a craftsman. I love the skill of shaping surfboards,
the art to it. Maybe I'm somewhat of a purist, as well.
But I've also had the pleasure of working for Rusty
and not having to worry about mass production. I'll
be working with the machine a little more now just to
get production up. I've already scanned the CJ Fishy
and his roundtail. In the future, some of CJ's boards
may come off the machine.
ESM:
Will the general public still be able to get a handshape?
BJ:
Yeah, but it may take a little longer. Handshapes are
more of a rarity these days. They're like collector's
items. Not too many people get an Al Merrick or a Rusty
handshape anymore. Almost nobody. But I'm gonna try
to keep it up.
ESM:
You've only brought three people into your shaping room:
your brother Joe, your daughter, and CJ. Do you foresee
having to train any more people?
BJ:
Well, the first year I want to keep it low volume so
I can have my hands on each board and personally sign
each board. But I probably won't train anyone to shape.
If I get someone, it'll be an experienced professional.
ESM:
So who will be sporting a Teqoph logo moving into 2005?
BJ:
Well, Dam's still with Quiet Flight, and my brother
makes a lot of those, but I still shape quite a few
so he'll probably have an obscure logo on some. CJ will
have it for sure. And then I'll do some boards for Ben,
Gabe, and hopefully quite a few guys in the Top-44.
ESM:
What about beyond that? Where do you want to be in another
three years in terms of boards and business?
BJ:
Just to progress as a shaper and designer and continue
in the direction that I'm going. I'm not looking to
become a billionaire off shaping--not that you could--but
just like you see Australian boards here, I want to
have boards there. I want to spread out to Europe, Japan,
and every point in between.
|
|
Interview
BACK ISSUES #63 / #64 / #65 / #66 / #67 / #68 / #69 / #70 / #71 / #74 / #75 / #78 / #82 / #83 / #84 / #85 / #86 / #87 / #88 / #89 / #90 / #93 / #94 / #95 / #97 / #98 / #99 / #100 / #101 / #102 / #103 / #104 / #105 / #106 / #108 / #109 / #110 / #111 / #112 / #113 / #114 / #115 / #116 / #117 |