ON THE RECORD: JUSTIN TOWNES EARLE
     By Nick McGregor


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Remember when country music was full of bad-asses? Men like George Jones, Porter Waggoner, and Johnny Cash. Men who lived fast, dressed sharp, and sang passionately — before partying hard once the show was over.

Instead, contemporary country in the 21st century is full of almost-rans masquerading as divas. Leather pants. Highlights in their hair. And not a rhinestone or Stetson in sight. Hell, if you watched Keith Urban perform at halftime of the New Orleans Saints-Dallas Cowboys Thanksgiving football game, you probably thought you were watching an emo-rock band bring the house down in country music’s heartland.

All of which makes the vintage smoky-voiced aesthetic of Justin Townes Earle all the more desirable. The skinny troubadour boasts that ghostly, early country look. Tattoos litter his bony arms. Repeated run-ins with the law (and rehab) have only shored up his street cred, while giving him plenty of real-life angst to draw from when it comes time to sit down and write a song.

And make no mistake — songwriting is in Justin Townes Earle’s blood. His father is Steve Earle, a maverick country-rocker as well known for his political rabble-rousing as for his own sinful transgressions. And Justin’s quirky middle name? That comes from legendary cult hero Townes Van Zandt, who himself died 44 years to the day after Hank Williams, Sr., perhaps the most iconic country songwriter of all time. EasternSurf.com caught up with Earle just after Thanksgiving to talk about his own troubles, his newfound love for New York, and his desire to stimulate as many senses as possible.

ESM: Did you have a good Thanksgiving, Justin?
Justin Townes Earle: Yeah, except I was driving for the entirety of the day. I left New York around noon, and got into Nashville around 2:00 a.m.

ESM: Which gives us the perfect opportunity to ask about your move a few years ago from Nashville, TN, to the Big Apple.
JTE: I needed to expand artistically, and Nashville had offered me everything it could. The only thing left to do in Tennessee was move to Memphis, and I didn’t think that was a good place to be for someone who was trying not to drink and use drugs. So I decided to follow Woody Guthrie up to New York. I’ve always loved the city, especially the East Village area of Manhattan, which is where I live. I’d say that moving here has probably been the best decision in my life.

ESM: You mentioned Woody, but your move also has shades of Bob Dylan’s — except for the fact that you were already well known, with a critically acclaimed body of work, before you came East.
JTE: New York’s given me a lot more to write about, because the city spins 24 hours a day. New York has that magic about it — if you’re there and you’re focused and you’re ready to work, good things can happen if you’re smart about it. I went from a relatively unknown Americana artist who was only known by reviewers and record label owners and other musicians, and now I’ve definitely seen a surge that has raised my profile a lot. That wasn’t offered to me in Tennessee.

ESM: Even with your new urban surroundings, your music is still paying homage to traditional country, classic folk, and early blues. Have those early 20th-century art forms maintained their appeal?
JTE: They always will — it’s kind of just what’s in my blood. I’m first generation on either side of my family born into a city. My mom’s family all came from Eastern Kentucky, and my father grew up in a tiny town called Schertz, TX, on the outskirts of San Antonio. I’ve always mixed my urban surroundings with the old formats. And it’s more the formats than the content that I’m interested in — I don’t know anything about Leadbelly’s content, because I’ve never lived it. But I know about mine, and that’s the great part about this music, is it’s kind of universal. You can fit anything you want into it, and talk about satellite radio and cell phones.

ESM: Your 2010 album Harlem River Blues charted higher than any of your previous records. Did you ever think your brand of old-timey charm could find success in this modern world?
JTE: It’s definitely given me a big boost, with much higher ticket and record sales this time around. I’m glad that it’s all coming together — when you have to struggle through it the whole time, this is a hell of way to make a living. It’s very tiring work.

ESM: And we know you’ve had your fair share of struggles — you were arrested in September after an Indianapolis show for battery and public intoxication. Did that serve as a wake-up call?
JTE: Yeah, it did — that whole thing humanized me again. I have this flaw in my make-up where I started using drugs so young, and I’ve spent so much of my life in this alternate reality with patches of clean time in the middle, that it’s really hard for me… It planted my feet back on the ground. When I drink and do drugs, bad things happen. That’s just the way it is. Stupid things. I go to jail, spend too much money… and those are the least of what happens. So I think it was good timing — I’m gonna be 30 in a year, and I’m slowly realizing that I’m not 18 anymore. It hurts [laughs]; I don’t bounce back like I used to.

ESM: Do you feel like you’ve completely slayed those demons?
JTE: I’m not saying it’ll be the last time I drink and use drugs again. God knows I’ve learned to quit trying to predict what the hell is gonna happen in my life, because it’s never, ever been what I thought.

ESM: You had to cancel some dates back in September because of rehab, but now that you’ve restarted your tour, has everything gone according to plan so far?
JTE: Yeah, we did two nights in Nashville at the Mercury Lounge, and it worked out great with two sell-out shows. And doing that in Nashville is a very rewarding thing — this is not a town that gets crazy about music, because they live with it every day. You’ll see national acts come to Nashville that do great everywhere else, but they won’t do fuck all in Nashville.

ESM: But you’ve got a host of East Coast dates upcoming, mostly in small venues. Do you like mixing things up like that?
JTE: Yeah, I definitely do. The place I played in Mobile, AL, was in a room that only held 50 people. Of course, it was a $45 ticket, but it gave me the chance to be in the crowd again. I’ve gotten to the point where I do dread places that don’t have dressing rooms, but you gotta just roll with the punches.

ESM: You’ve been expanding outside of the music world — appearing on TV shows like “Treme,” popping up in mainstream magazines. Are those extracurricular activities important parts of an artist’s career?
JTE: It’s pretty vital in this particular climate we’re in. The U.S. is supposedly climbing its way out of this recession, but I don’t really believe it — I don’t see it on the street level as we travel around. It affects all aspects of life, including art, and in order to be successful you have to get your face and name out there in as many ways as you can.

ESM: Like being named one of GQ’s 25 Best Dressed Men for 2010? That doesn’t seem very country — until you look back to the genre’s early days, when showmanship was paramount. Is that side of performance important to you?
JTE: Without question. I get so sick and tired of seeing bands all look the same, all in ratty ass blue jeans, all looking like they just woke up wearing plaid shirts. I dress like that in my everyday life, but when people are paying hard-earned money — and these days, it really is hard-earned money — they deserve a spectacle. They deserve something that’s visually and audibly good. That’s very, very important these days. Hell, you’ve also got to remember that the attention span of the average person is getting short and shorter. So you’ve gotta stimulate as many senses as you can possibly can.

JUSTIN TOWNES EARLE TOUR DATES:

12/9    Crowbar……………………………….. Ybor City, FL
12/10  The Social…………………………….. Orlando, FL
12/11  Mojo Kitchen………………………….. Jacksonville Beach, FL
12/12  Pour House…………………………… Charleston, SC
12/13  Cat’s Cradle…………………………… Carrboro, NC
12/14  The Grey Eagle……………………….. Asheville, NC
12/16  First Unitarian Church………………… Philadelphia, PA
12/17  Royale………………………………….. Boston, MA
12/18  Webster Hall…………………………… New York, NY
12/19  9:30 Club……………………………….. Washington, DC

For all things Justin Townes Earle, visit www.justintownesearle.com



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